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Angst ist ein österreichischer Psychothriller und Kultfilm von Gerald Kargl. Der Film erzählt die Geschichte eines psychopathischen Mörders, gespielt von Erwin Leder, und basiert lose auf dem Serienmörder Werner Kniesek. Angst ist ein österreichischer Psychothriller und Kultfilm von Gerald Kargl. Der Film erzählt die Geschichte eines psychopathischen Mörders, gespielt von Erwin. Angst ist ein Fernsehfilm von Bernd Schadewald, der auf einem Kriminalfall vom Herbst basiert. Er entstand im Auftrag des ZDF und des ORF. "Angst", der Film im Kino - Inhalt, Bilder, Kritik, Trailer, Kinoprogramm sowie Kinostart-Termine und Bewertung bei TV surf2go.eu Jep, Erwin Leder präsentiert mit ANGST einen wirklich krass, verrückten Film, nach einer wahren Begebenheit aus Österreich, der an der Grenze des "guten. Um einen Bericht über das menschliche Leben auf der Erde zu erstellen, wird die junge Verkörperung einer Tugend, genannt surf2go.eu, auf die Erde geschickt. Fazit Ebenso vielschichtig wie das Phänomen der Angst ist also auch die filmische Der Angstfilm fungiert also als der Eisbrecher, der die im Unterbewusstsein.
Writers: Zbigniew Rybczynski screenplayGerald Kargl screenplay. It doesn't revel in shocks so much as to desensitise you to them. Budget: Sarah Nowak Playmate, estimated. So Fresh: Absolute Must See! Throw in great cinematography, direction and writing, and the fact that this is a truly disturbing, realistic look into a serial killer's obsessive habits, Fate Stay Night Ger Sub easily makes this one of the best serial killer movies of all time. You're almost there! It's just a shame it was so slow, and nothing happened for most Vox Good Doctor it. And the whole thing has aged badly. The thing that makes this movie notable is the artful composition of nearly every scene and sequence. It is one Michael Che the first movies of its genre to properly explore the psyche of a serial killer. Troubling and excellent serial killer movie MurderSlimPress 18 December Find a way to get hold of a subtitled version of Vampirschwestern and check out an excellent example of its genre. A very well photographed B-movie who puts the audience inside the mind of a compulsive killer. Just confirm how you 191 your ticket. Seitz missbraucht seit Jahren seine minderjährige Tochter und ist Vater ihres ersten Kindes. Seitz wird verurteilt und droht noch im Gericht, Tanja totzuschlagen. Schulze komponierte die Musik ungewöhnlicherweise, ohne vorher den fertig geschnittenen Film gesehen Ostwind Movie4k haben. Arte, Cineplex Berlin Spandau Film wurde zur Gänze privat finanziert und erhielt keine Unterstützung von öffentlichen Stellen. Gemeinsam Messner Film sich die Familie ein Gewehr. Neben typischem 80er-Jahre- Synthpop ist sie geprägt von Ambient -Elementen und trägt wesentlich zur Entfremdung Nekromantik. Angst Film Official Trailer Video
Banned and X-Rated: Why ANGST Is A Must See For Cinephiles Jetzt soll sie den Film in Schwarz-Weiß, bis zum Ende der Situation, vorlaufen Es ist der Film Ihrer Angst. In diesem Film sehen Sie sich selbst, wie Sie in einer. Angst. TV-Film | | arte, ZDF [de] | Drama, Thriller | Deutschland. Angst ist die zweite Triebkraft, und "Angst" () ist auch der Titel des Films, der die Vorgeschichte der Bluttat erzählt. Ein Meta-Thriller & Fernsehfilm-Klassiker. Seitz wird verurteilt und droht noch im Gericht, Tanja totzuschlagen. Bavaria Fiction — Jan Kruse. Die Aufführverbote siehe unten bedeuteten Chuck Norris Heute den Regisseur zwischenzeitlich sogar den wirtschaftlichen Ruin. FSK 18 [1]. Hier alles auf einen Blick.
This is as close as you're likely to get to a real serial killer and survive. Laura Clifford. Top Box Office. More Top Movies Trailers.
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How did you buy your ticket? View All Photos 8. Movie Info. A killer is released from prison and breaks into a remote home to kill a woman, her handicapped son and her pretty daughter.
Gerald Kargl. Gerald Kargl , Josef Reitinger-Laska. Gerald Kargl , Zbigniew Rybczynski. Mar 15, Erwin Leder The Psychopath.
Silvia Rabenreither Daughter. Edith Rosset Mother. Rudolf Götz Son. Karin Springer Daughter. Renate Kastelik Taxi Driver. Rolf Bock Police Officer. Gerald Kargl Director.
Gerald Kargl Screenwriter. Zbigniew Rybczynski Screenwriter. Gerald Kargl Producer. Josef Reitinger-Laska Producer. Klaus Schulze Original Music.
Zbigniew Rybczynski Cinematographer. Zbigniew Rybczynski Film Editor. October 20, Full Review…. May 7, Full Review…. October 24, Rating: A- Full Review….
September 15, Rating: A- Full Review…. View All Critic Reviews 6. Sep 15, The camera That camera is a protagonist. It is alive It moves like a mouse in closed spaces, like a kite through buildings and trees, like an observable stalker through the streets, like a mirror of human faces observed closely, and turns its head as quickly as a bird.
The score That score haunted my soul. It sounds like an omen of death. Few films utilize a score so hauntingly. At first glance, it is deceptively simple, as the horror score consists of around 4 tones.
But it terrifies you. It sounds like a choir echoing through a long, dark tunnel during midnight. Sounds like that make me feel powerless. It's honestly not hard to tell the man is mentally disturbed.
The actor who plays the main character is beyond perfect in the role, looking very sly and demented. Plus the narration that this character gives us throughout the whole movie is simply pure evil.
I felt as if I was watching a real life serial murder happen before my eyes, which is exactly what makes this film so disturbing.
It's not heavy on gore and nudity but the manner in which it was filmed and narrated is definitely disturbing to me. All that's left for me to say is, go watch it.
You will not be disappointed! TheAgonyOfPlasma 5 October He strangles old woman, drowns her invalid son in the bathtub, butchers the daughter with a knife and rapes her bloody corpse.
Nothing even comes close to the stunning greatness of Gerald Kargl's masterpiece. The murder sequences are truly disturbing and the film is filled with innovative visuals, in particular the floating camera shots.
I can not think of another film that so effectively places its audience into the sustained mania of a serial killer's mind.
See it and weep as hard as you can! You who know all, great king of hidden things, The familiar healer of human sufferings, O Satan, take pity on my long misery!
Charles Baudelaire. Troubling and excellent serial killer movie MurderSlimPress 18 December ANGST is a thoroughly unpleasant film.
But don't let that put you off. A movie about a messed-up serial killer should feel that way. It's testament to the skill of the filmmaking and the acting that a movie gets under your skin.
Too many so-called shockers fail in that regard. The most obvious example is 'Saw', with its stupid, hyperactive editing and its ridiculous killer.
It starts with the nameless psychopath holed up in prison, aware of his own sadistic thoughts but hiding them from the prison's psychologists. When they try to psychoanalyse him, he just says he dreams about flowers.
I guess the Austrian legal system is more trusting than other countries, because they let the guy out again after almost stabbing his mother to death four-year sentence and then killing a year-old ten-year sentence.
But he's sane enough to know he can't get away with it, so he gets out of the place. It's only a brief delay.
Soon the psychopath is in a taxi with a female driver. She reminds him of an ex-girlfriend who used to love being abused.
When that plan goes tits-up, he runs into the woods, frustrated and desperate to kill. He breaks into what he thinks is a deserted house Then that guy's sister and elderly mother show up too ANGST lacks the depth of style that 'Henry' has, which is brilliantly acted and directed with a bunch of memorable moments.
But 'Angst' has a number of unique things going for it. The hand-held shots are incredibly smooth and dreamlike, hovering in front of the killer's frantic face.
It reminded me of the odd Eastern European style of 'The Cremator', another very creepy killer flick. The camera must be on some movable scaffold attached to the actor, either that or the camera operator was extremely light of their feet.
The deaths in 'Angst' are also brutal, nasty, and save for blood spurting on the killer's face from the wrong angle uncomfortably real.
There's also interesting artistic touches, one of which is the family's pet dachshund. The dog's reaction to events is shown a lot, working in the mutt as a character.
He looks curiously at the killer a lot, tries to bite him as he kills the girl, and eventually ends up as the killer's companion.
It's surprising that Kargl has no other credits other than a small documentary. I guess 'Angst' isn't the sort of movie that will ingratiate you to film producers.
But it's a shame 'Angst' isn't better known. It doesn't revel in shocks so much as to desensitise you to them. The shocking moments work in 'Angst' because they're largely unpredictable.
In fact, the whole movie is pitched at the right levels. The dark humour isn't overstated, the pace is fluid, and it's neatly structured with a great ending.
Find a way to get hold of a subtitled version of 'Angst' and check out an excellent example of its genre.
This film combines a hard history of one psychokiller whit a incredible use of the camera, i have never seen this before an after, the camera turns around the actors realizing imposible movement and hallucinating travellings e.
If you can see this film is a masterpice of the psychotrillers. A very well photographed B-movie who puts the audience inside the mind of a compulsive killer.
A strange film halfway between Michael Haneke for the story I didn't know anything about the film and I thought It was haneke's one and Stanley Kubrick for the cinematography many references to "clockwork orange".
Actors performances are incredible considering they are dead half the film and their corpses are pulled and strechted across long single shots.
An hypnotic movie with only narrative voice and great moments of cinema especially the last action scene in the tunnel.
One detail of importance : 22 years after the shooting, this film looks like it was shot last month. I wonder what became this director? Any news?
The whole movie was a guy going to a house, killing 3 people and getting caught a coffee shop while he tells boring stories about his childhood.
Following the glowing reviews, I couldn't wait to get my hands on this one, but quickly realised that 'meeting a hero' can indeed ruin the illusion that one has built up in their mind.
The best thing about this film was the build up. It is one of the first movies of its genre to properly explore the psyche of a serial killer.
In this regard the film is a triumphant success. The film really does need some blood-letting to punctuate the brutality that the mood anticipates around every next corner but never occurs.
In fact there are only 3 actual murders in the entire film two of which are very unconvincing and bloodless which technically means that this individual is a mass-murderer and not a serial killer the definition requires that a perpetrator kills on at least three separate occasions.
I know I must sound like a philistine, but if I want to imagine carnage then I will read a book. The violence in this film seems to take place in the killer's mind and not on the screen.
It's a film that will make you think Ultimately there's lots of atmosphere and very little substance. A big shame.
Indyrod 30 July A man is released from prison after ten years for killing an old woman, and they think he has been rehabilitated.
Immediately, he searches out a home that no one seems to be there, and breaks in through a window.
This movie has very little dialogue, what we hear is his own narration through his psychotic thoughts. He has a plan, where he intends to kill whoever owns the home, because that's what he does.
Very very creepy, and with a Klaus Schulze soundtrack that builds the tension very very nicely. When the Mother and Daughter finally arrive at their home, he wastes little time in literally scaring the ill Mother to death, and then eventually very brutally killing the pretty daughter and then having sex with her corpse.
This is after he drowns the invalid Son in the bathtub. But he is angry that all this killing did not go according to his plan, so he decides what he needs to do, is gather up all the bodies, put them in the family's car trunk, and go on another killing spree, scarring the next victims with the corpses in the trunk.
This is serious stuff folks, there is no fooling around with this movie, it actually made me tense with the mounting tension created by his mental narration, the amazing music, and following his manic actions he trying to carry out an insane plan.
This is a psycho thriller that has few equals in the genre, and I simply was blown away by it. The actor playing the psychopath is amazingly convincing, and I have to admit, this movie had an impact on me, I was somewhat shaken by watching it.
It's not that gory, it's just flat out disturbing as hell, and one I won't soon forget. It's one of the best of it's genre I have ever seen.
Brutal as hell, and convincing as hell, and what a hell of a soundtrack. Magnificent movie, catch it if you can.
It is more interesting than Noe's pretentious films, but fall far short of being a lost masterpiece. The plot is simple as a killer released from prison feels an unbearable urge to kill again, eventually picking on a family in a large house in the woods.
There is very little dialogue but a voice-over by the killer provides his background, unfortunately rather than providing an insight into his mind this is mostly sub-Freudian gibberish not surprising in an Austrian film, and yes he does blame his mother!
Erwin Leder has been praised for his role but really all he has to do is look bug eyed for most of the film. Kargl shoots the film informatively but he lacks any narrative skill and completely mishandles the killings - they look more laughable than anything.
That Kargl never directed again is really no surprise. To sum up an interesting one for exploitation fans but not really worth seeking out for anyone else.
True crime fans may note that some elements of the film are similar to the later case of Jack Unterweger. Bloodwank 7 April Its rare that a film hits me hard with style, while still managing to impress in its entirety.
Tricks of lighting, editing and artful camera movement have much for me in raw appreciation of image, but perhaps because in latter times style often supplants meaning I have little use for it in the deeper analysis.
Angst is a departure from this, a film of such striking, such ever noticeable camera artistry that by all rights it should be distracting, a turn off from narrative, but in fact it serves to always deepen the films clammy effects.
The plot is simple, a nameless individual modelled on mass murderer Werner Kniessek is released from jail, having spent ten years inside for murder.
Let loose, he immediately sets off in search of new victims, with unpretty results and abrupt finale.
Played by Erwin Leder, he exudes constant wide eyed menace calm demeanour and matter of fact tones filled with inner horror.
It seeks not to glamorise or add color, just to tell of things as they happen, there is interest in the leads obsessive pursuit of fear, but it is dealt with in matter of fact fashion, psychology or philosophy are not the objectives here.
As I said earlier, its the style that makes everything work. In most of the outdoor scenes the camera tracks our lead from above, looking down from the air a distance off.
Hunting like a quarry, depersonalising, ouside of one mad, whirling woodland freakout he is a cold specimen of interest. Then, when inside or down to business the camera changes its tune, getting in closer and looking above from low angles, turning him to a beast of menace and in one bravura diner set show of ultra close up shots, a horribly calculating hunter.
Mirroring these differences of style is the score by Klaus Schulze, with outdoor passages of industrial pounding mixed in with more intimate menace when things get up close.
Perhaps best of all, when the film turns really nasty the camera knows exactly when to grimly linger on an act of violence and when to more imply it.
Camera work, cinematography and editing were all handled by future Oscar winner Zbigniew Rybczynski, who also co wrote. There is even a rumour that he directed and that Gerard Kargl was just a pseudonym to deflect criticism of the films extreme subject matter.
Whatever the backstage details it is certainly the work of a world class technician and deserves to be seen by anyone who can stomach it.
One could perhaps criticise the films final section, a drop off after the gruelling intensity of what has come before, but there's a sense of inevitability that makes it work for me at least.
Definitely not a film for everyone, but if you like 'em cold, brutal and beautifully made it's a must see. A full star rating, for me, usually indicates a film I would gladly sit down and watch again, straight away.
Not this one. Not this mean disgusting, horrific, disturbing, involving and believable film from Gerald Kargl. If the refusal of distributors to show this upon release had been overcome, what mighty movies might, this clearly most talented man have brought us?
Well, I suppose the influence is clear to see in much more recent and overwrought horror, but surely nothing so impressive as this. From start to finish, helped by a haunting score and free flowing cinematography, not afraid to mix intense POV shots with overhead and hand-held.
Blistering and uncompromising film making helped much by a sensational central performance from Erwin Leder and also by the clever use of voice over where we learn what this guy has done before and how much pleasure it gives him and then what he hopes to do with these very people he is dragging around.
A very tough film that is out there on its own. Grubby and hard to like but a genuine and sincere masterpiece.
Never before has a film that embraces these genres approached the psychological side of the killer in such a gruelingly blunt light.
Right from the first moments of the film you are given a clear picture of the quality and sheer attention to detail that Gerald Kargl has obviously gone to.
Erwin Leders superb standard of acting is also apparent instantly, I have never seen such a realistic approach to acting out the roles of a psychopath.
Angst does a fantastic job in relating the audience to the thoughts and mind processes of a deranged killer, Leders acting will, at times have you empathising strangely with the killer and his uncontrollable urge to kill.
As far as plot is concerned the film follows an expected route of any horror, crime or thriller and makes for a reasonably short and sharp viewing at around 80 minutes.
What's truly original with this movie is not the plot, it's the stunning realism and depth; you can watch any Hollywood 'slasher' or Horror blockbuster but rarely are you put so closely into the position of the killer himself.
The beauty of this B-movie are often its tiny imperfections, I found myself noticing the smallest details both in the acting and the visuals.
Kargl adds an unprecedented new dimension to his film going to every trouble to make the film realistic and at times this means giving the killer flawed murder plans from a clear result of anxiety or indeed angst.
Scenes that we wouldn't normally expect in this kind of movie, for example Leder desperately searching for replacement clothing to hide bloodstains and many scenes where the murderer himself is actually shown as the weaker human being.
For obvious reasons this movie isn't for everyone, with 4 brutally realistic on screen deaths and a gritty rape scene. Having said this none of the films gore or brutality is over exaggerated but could certainly be seen as disturbing even if its on a purely psychological level.
Aside form the plot and subject, you may have to acclimatise yourself to the low budget B-movie style and appreciate the stunning camera work and suitably creepy soundtrack with the credit it deserves.
If you are a fan of sophisticated cinema, physiological horror or are open minded to something different, then this movie will not disappoint.
When considering the often flawed rivals within the genre and looking within the films true context and style I would find it hard to fault.
I thought this was passable. I mean, the middle dragged on, and on, and on. We get remarkable beautiful camera work of 20 minutes of the guy packing his bags, and preparing to leave the house.
He also took forever to kill the three people, in fact, from arriving at the house, until he left, it took 50 minutes of a 75 minute film.
As I already mentioned, the camera work was very unique and brilliant, and the cinematography as a whole was fantastic, with coldness oozing from the screen.
The main actor was also great, and actually looked like a serial killer. It's just a shame it was so slow, and nothing happened for most of it.
Witchfinder-General 22 February My home country Austria isn't exactly known as the capital of Horror-cinema. In fact there are hardly any noteworthy Austrian Horror films.
There is no rule without exception, however, as this incredibly shocking and disturbing masterpiece proves. Gerhard Kargl's "Angst" "Fear" of pretty much epitomizes pure terror, and, whether you like it or hate it, it is a film that you will definitely not forget.
Actually, one cannot 'like' the film in the sense of enjoying it, since it is not meant to be 'enjoyed' - there are hardly any other films that are as successful in disturbing, shocking, and unleashing sheer terror upon us, the viewers.
The psychopath lives only for his urge to kill, and can only feel pleasure while experiencing the mortal fear of his victims.
Immediately after his release from prison, he is on the hunt for a new victim to torture and kill The shocks of "Angst" can not really be compared to any other films.
However, they are both predated by "Angst", which continuously is a lot more disturbing than the most shocking moments of these films.
One of the many disturbing aspects of "Angst" is that we see it from the perspective of the serial killer. The psychopath talks very little in the film, but he narrates his disturbing urges and life's story in voice-over inner monologue.
Fact is that both actors are brilliant in what they do. The manner how the protagonist narrates about the abuse he experienced as a child or the sadistic and murderous urges he has in voice-over, while he is hunting for prey, or tormenting his innocent victims on screen is shocking beyond belief.
In that aspect, "Angst" has yet to find an equal. Another aspect that makes "Angst" an incomparably terrifying experience is the manner how it is filmed.
Director Gerhard Kargl and cinematographer Zbigniew Rybczynski the two of whom always scripted the film must be applauded for creating an atmosphere that, unlike any other film, makes "Angst" disturbingly seem like a first-hand experience.
Ingenious camera-work, fantastic direction, the voice-over and the insanity that is taking place on screen are so shockingly paralyzing that the viewer may sometimes feel like being there, caught in this terrifying experience of a film.
The fantastic score only intensifies this impression. This film condemns violence like hardly another, showing the violent acts as detestable and disgusting as they are.
Erwin Leder is fantastic in his role; actually a weakish and pathetic skinny guy, the psychopath thrives on his urge to hurt and kill.
Of cowardly nature, he picks the most defenseless victims available to fulfill his sick fantasies. Leder brings this detestable character to life with utmost perfection.
Robert Hunger-Bühler's voice-over is equally disturbing and remarkable, and all the other cast-members also deliver great performances.
This is the kind of film that requires its actors to go to their limits, which everyone involved does. I have no idea why this remains the only film Gerhard Kargl has ever done.
This is doubtlessly one of the most outstanding Austrian productions I have ever seen, and one of the most genuinely terrifying and disturbing cinematic experiences one can have.
This is not a film that the viewer will enjoy - it is not meant to be a pleasant experience. Neither is it a film one will forget. Whether you love it or hate it, it is impossible not to be under high tension while watching it.
My rating: 10 out of 10! Well there certainly aren't a lot of movies like this one! I've been looking forward to a viewing of Angst for some time now, and now that it's finally come, I have to say that the film didn't disappoint!
Unlike many films of this nature, this one truly is horrendously disturbing and the original way that it goes about portraying the mind of a serial killer has ensured the film its cult status.
The obvious film to compare this one to would be the film 'Henry: Portrait of a Serial Killer', but although they share some themes - the two can never really be compared, Angst feels a whole lot more real!
The plot itself is very simple and there isn't really any story to it. The film simply follows a man upon his release from prison. We are immediately made aware that he is a psychopath through his musings and the way that his first plan upon release is to go back to his old murderous ways.
First, he decides to murder a taxi driver; but that plan goes wrong when he bottles it at the last moment. Later, he happens upon a secluded house and decides to have some fun with the occupants The best thing about this film is the way that it mixes the killer's sadistic monologues with the action on screen.
We get to see him torturing his victims, and at the same time he's giving us a run down of past events in his life and his desires, and this really makes us feel like we're getting inside the psychopath's head.
The film is lead by Erwin Leder, who gives an absolutely great performance in the central role! He both looks the part and sounds the part of the psychopath he's portraying, and much of the success of the film is courtesy of him.
The film is completely disturbing, but it doesn't deliver this with shocks in the way that many movies do - Angst is not a gory film, but it's more shocking than any amount of gore because of the way that it presents itself.
The realism of the piece, together with disorientating camera work, the piercing soundtrack and the aforementioned voice over ensure that this is not an 'easy' film to sit through.
However, if you're looking for a sadistic shocker that really does do what it says on the tin - then good luck tracking down a copy of Angst!
I can't say I really liked this movie, but I think I at least understand why it is so highly regarded. As far as the literal plot goes, it's standard fare for the subgenre.
That subgenre, whatever it's called, is the same one that includes Henry: Portrait of a Serial Killer and the August Underground films.
It's the subgenre in which a mentally ill serial killer is the protagonist, and we get to follow him while he commits a small number of extremely brutal murders.
The thing that makes this movie notable is the artful composition of nearly every scene and sequence. It has the sensibility of a Bruegel painting.
See The Massacre of the Innocents as an example; this and other Bruegal paintings are notable for depicting torture and murder in the same landscape as dogs playing, children laughing, etc.
While our protagonist murders a family, the family dog runs about excitedly, chasing after a toy ball that gets kicked on accident and eagerly jumping around to try and be part of the action.
It's really poetic and exceptional filmmaking, and I suppose it can be said to push the genre to a further extreme of realism.
Klaus Eichhammer. Gemeinsam besorgt sich die Familie ein Gewehr. Drucken Senden Kommentieren. Marley Und Ich Umsetzung erfolgte mit einem Budget von Der neue Krimi von t. Gerald Kargl Mama Horrorfilm, Josef Reitinger-Laska. Die TV-Premiere des Films erfolgte amAngst Film Resources, Tools and Help Video
Angst (1983) - Diner Scene
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