Homunculus Fullmetal Alchemist Inhaltsverzeichnis
Ein Homunkulus, oftmals auch Homunculus, (lat. ‚Menschlein') bezeichnet einen künstlich geschaffenen Menschen. Menschen. Rollen in Fullmetal Alchemist. Wrath, Lust, Greed, Gluttony und Envy. Die Homunculi sind die Hauptantagonisten aus Fullmetal Alchemist: Brotherhood. Sie sind von Vater geschaffene. Bei einem Kampf der Homunculi gegen die Untergebenen des Obersts, Ling Yao und seine Leibwächter stirbt der Homunculus Lust. - Erkunde Susanne Sazepins Pinnwand „Homunculus“ auf Pinterest. Weitere Ideen zu Alchimist, Fullmetal alchemist, Fullmetal alchemist. - Erkunde Ani - Versums Pinnwand „Fullmetal Alchemist Brotherhood Homunculus“ auf Pinterest. Weitere Ideen zu Alchimist, Fullmetal alchemist. Fullmetal Alchemist Anzug homunculus Lust FMA Völlerei FMA Envy FMA Wrath FMA Pride FMA SLO Mauspad, Mousepad (25,9 x 21,1 x 0,3 cm): surf2go.eu FMA Homunculus FullMetal Alchemist for Samsung Galaxy S6 schwarz Handy Hülle,Schutzhülle,Telefon-Kasten Hülle: surf2go.eu: Elektronik.
Monster Valentines. Wolf CheungFullmetal alchemist · Homunculus - Envy by Arthuria99 on deviantART Homunkulus, Fullmetal Alchemist Brotherhood, Manga. Einzigartige Fullmetal Alchemist Homunculus Sticker und Aufkleber ○ Von Künstlern designt und verkauft ○ Bis zu 50% Rabatt ○ Für Laptop, Trinkflasche,. 
They are the result of an alchemist attempting human transmutation to resurrect a dead individual, costing them portions of their own bodies and creating a horrific being in the process.
When the results of these transmutations are fed Red Stones, they gain a shape reminiscent of the human target of the attempted resurrection. Two particular examples are Sloth and Wrath , created from the Elric Brothers' and their teacher Izumi Curtis' attempt to bring back their mother and infant son respectively.
Another is Lust who, in this incarnation, was the result of Scar 's brother trying to bring his lover back.
Due to this imbalance, Homunculi are weakened in the presence of any artifact of the original resurrectee's corpse. The anime Homunculi serve as the lieutenants of Dante in her efforts to create another Philosopher's Stone to continue her immortality and body-hopping.
Dante created several of them, eventually gaining Lust, Sloth, and Wrath in League with her after the three are fed red stones. As aforementioned, they are relatively immortal until exposed to the remains of the resurrectee, which will weaken them enough to be killed.
Other Homunculi-like creatures serve as antagonists in the series. Most notable are the Mannequin Soldiers created through bonding the Philosopher's Stone's various souls to the bodies of humanoid monsters.
It it theorized that they are created to serve as an additional Philosopher's Stone source for Father. Kimblee Yoki. Church of Leto Father Cornello Chimera.
They also share the same black hair and the same eye color, which is shown to be lavender in the series and purple in the series.
In the manga, Arakawa mostly depicted the Homunculi's eyes as purple, but occasionally they appeared as red. In the manga and anime, the Homunculi are the eight primary villainous forces of the series.
The central antagonist is the original Homunculus known simply as Father , who was created several hundred years before the start of the series in the presently non-existent nation of Xerxes.
The other seven Homunculi are tangible embodiments of his partly human nature's vices, and therefore parts of himself.
In Xerxes, Father used half of the country's population to create his "container", which was in reality a pale copy of the body of Van Hohenheim.
Van was a former slave turned brilliant alchemist whose blood was originally used to create Father back then referred to simply as "The Dwarf in the Flask" by the Xerxesian king's chief alchemist.
By using the souls from the population of Xerxes, Father himself became a living Philosopher's Stone of sorts and thus gained a long-lasting body, as well as the ability to create other Homunculi like himself.
The Homunculi were created by injecting a Philosopher's Stone imbued with one of Father's seven basic vices broken off from Father's own Philosopher's Stone, into the body of a living being.
Five of the Homunculi are based on and have exactly the same composition as humans, which were either artificial bodies transmuted from Father or naturally occurring humans; Envy is based on a disturbing leviathan creature created by Father; and Pride is created from Father's own semi-divine essence, being, and image.
If the Homunculus is based on a natural person like with Wrath and the Second Greed , the stone and the body of the human clash until one overcomes the other.
Most often than not, the stone wins, and the human dies, though sometimes the human wins. All Homunculi dissolve to dust whenever they reach their ultimate death.
This is the psychological effect of their being born with immense strengths. Many of the Homunculi even have ill feelings towards humans.
Out of the Homunculi, the sadistic Envy is the one who hates and treats them the most personally and with utmost bitterness, while Pride has the evilest malice, disdain, discrimination, prejudice and contempt towards humans.
Greed is the only Homunculus that does not openly hate humans in any respect, although it is unclear what he really thought of them before being bonded with Ling Yao.
In Chapter 80 , it is revealed that the Amestrian government, presumably under the supervision of Father, has created an army of lesser Homunculi whose soulless bodies are stored beneath Central Command.
They are then injected with Philosopher's Stones, giving them life. These "Mannequin Soldier" Homunculi are white and red, skeletally thin, hairless humanoids with one eye in their foreheads and green "blood".
They lack intelligence and appear only to follow base instincts toward feeding and destruction, similar to the souls within the Philosopher's Stones who have long since forgotten their true identities.
Envy at one point describes them as mere puppets injected with Philosopher's Stones. Their main attack is to try to eat their victim, since they lack the thoughts of doing much else.
Envy also uses their bodies and their souls to recreate his original body after being reduced to a small parasite from having his own Philosopher's Stone drained.
They do not regenerate as Father's children do, but are able to keep functioning even if their heads are grievously damaged. They seem to make similar vocalizations to the souls of the people of Xerxes trapped in Envy crying out for help or relations and complaining that they are in pain , but they seem to want to get rid of their 'pain' by eating everything except each other.
They are awakened in Chapter 90 by one of the generals of Central Command in an attempt to quell the insurrection going on in the city. For this foolish act, he is devoured by the monsters, who have no sense of loyalty or authority.
From there, these Mannequin Soldiers begin to spread about the Central Command grounds, devouring anyone they come across. Major General Armstrong manages to remove several of them as a threat by severing their heads, at least at the upper jaw, leaving them mobile, but unable to eat anyone.
Colonel Roy Mustang devises his own method of incapacitating them by burning off their legs with Flame Alchemy in the anime version, he instead incinerates them completely to ash.
Because of the divergence in plotline in the anime, the origins, identities, and secrets of Homunculi differ from those of the manga and second television series.
In the anime, Homunculi are said to be created each time an alchemist attempts a Human Transmutation.
While the transmutation itself will result in a failure in that the person intended to be revived does not return as expected, a new existence is brought about.
The result of the failed Human Transmutation will be a grotesque, vaguely humanoid monstrosity retaining the genetic material, as well as some of the memory, of the resurrected.
The "failed" Homunculus generally remains in this agonizing state until it dies soon after. However, newly created Homunculi who come into contact with Red Stones —much weaker versions of the Philosopher's Stone created by condensing human souls—and consume large amounts of them will have their bodies reshaped into their intended forms and become exact physical replicas of the people they were meant to replace.
It took an unsettling amount of fire, but Mustang, a man, defeats Lust by incinerating her, eradicating her from existence.
Is this not what every man should do to eliminate the sin of lust from his life? Is there some sort of message in this scene that Arakawa is trying to send to the men of her country and the men of the world?
Although certainly not the worst of the Seven Deadly Sins, St. In the case of Gluttony from Fullmetal Alchemist Brotherhood , such a condemnation is certainly the case.
Gluttony is depicted as an extremely large, ever-ravenous man, with a notably innocent attitude.
Rather, the Homunculus Pride is the one that kills Gluttony for good. And how, you might ask? There is no heroic symbolism here, as far as I can tell.
How fitting, to have the one who eats everything and everyone get eaten! The next Homunculus to die in the series is Envy. We can find ourselves wishing for the downfall of others, and thinking ourselves justified, without even realizing that envy is the root of our feelings.
Envy is the Homunculus that almost always spies on the good guys, gaining intelligence for the other antagonists or working as an assassin.
He is defeated by Mustang, who is finally given his chance to avenge his friend Maes Hughes, a victim of Envy.
In the fiery battle that follows, Mustang, in his rage, defeats Envy, no matter what face Envy chooses to wear in order to trick Mustang.
Because Envy commits suicide, after discovering that he has been envious of humans. Jealous for the relationships and companionship that humans have.
Jealous, just because he wants to be like them. And so, having realized this, Envy caves in on himself.
His whole identity has been turned inside out, and he hates himself for being envious of humans. Sloth is casually defined as laziness, but there is a deeper meaning too.
The character Sloth is also depicted with chains, an apt representation of how the sin of sloth can make us slaves to our own laziness and depression.
Siggs, another man of impeccable muscular stature. In the silly but epic fight scene that follows, Armstrong and Mr. The giant gives up on living because it takes too much effort.
In other words, Sloth dies because of his own sloth. Sloth, in its most intense form, causes a person to destroy himself by making him unwilling to continue in life.
Is this more symbolism, perhaps, indicating that the sin of sloth is able to be committed easily and quickly? Wrath is defined as intense anger; most especially, anger for the wrong reasons.
There are good things to get angry at, such as an injustice a person might be witnessing. And then there is selfish anger, anger that is impatient, anger that exists only for the pure satisfaction of being angry and taking it out on someone: this type of anger is wrath.
Wrath in Fullmetal Alchemist: Brotherhood is the only Homunculus that is capable of aging, since he needs to be more human than the others.
For the sake of spoilers, I will not explain why. Wrath is depicted as an elderly man with a left eye that is capable of seeing every single movement around him in detail; thus, Wrath is nearly invincible, so long as he is able to see whoever is attacking him.
Perhaps, it is a reference to how we look at others and judge them, fueling our inner wrath? It takes many heroes to finally defeat Wrath, but the one who finishes the job is Scar.
Scar is a serial killer, whose thirst for revenge led him to find and kill all State Alchemists. But Scar joins the side of the heroes and gives up his desire for vengeance when he realizes that there is a threat to the world much bigger than the State Alchemists, a threat, in fact, that has been behind the violent acts of the State Alchemists.
Wrath is defeated when light is reflected from his own sword into his eyes, and Scar uses alchemy to blast off his arms.
Wrath, indirectly betrayed by the weapon he uses to assert his feelings of anger, is killed by a serial killer: a serial killer who has overcome his own wrath.
The story of Hiromu Arakawa simply hums with irony and symbolism. Her genius continues to shine as the series progresses! However, he is defeated, and it seems that his sense of pride vanishes thereafter.
Perhaps then, it is still right to say that Pride dies. The sin of pride causes us to look inwards, focusing only on our own personal ego, and also to look down at others, and how they have failed, and also to look above others, thinking them unimportant.
Thus, it is fitting that Arakawa makes Pride one of the most powerful Homunculi, if not the most powerful. Ominously, Pride is depicted as an innocent little boy, who acts like a normal child in one moment, but then in the next, has the voice of an evil spirit, and the stare of one who is possessed.
It all makes sense: pride, being the father of all sins, is so easily overlooked, like an innocent, little boy. And yet, like an evil spirit, it is able to possess us.
Pride is defeated by the main protagonist, Edward Elric Ed. Unfortunately for Pride, his body has begun falling apart, due to the length of his life and the intensity of the battles he has been in.
Edward is only able to do this, however, when Pride is distracted. Kimblee accuses Pride of stooping from his dignity as a Homunculus to take the body of a human.
Envy wanted to be like humans, and thus he killed himself; Pride stooped for something lower than what he actually was, and lost his edge in the battle.
The next time we see Pride in the epilogue of the show, it would appear that his pride has utterly vanished.
It is also worth mentioning that, earlier in the series, Ed always seems to be a prideful, little brat. And now, in the finale of the show, his character has obviously grown a little more humble…and humility is the opposite of pride.
It sure seems fitting then, that the newly humble Ed defeats the personification of the sin of pride. The last Homunculus to die is Greed.
He wants to be all powerful. He is blatantly the embodiment of greed. Greed, for the most part, is actually on the side of the good guys, since he shares a body with Ling Yao, a friend of Edward.
He sacrifices himself. How does Greed die, and why does he sacrifice himself? Yes, in the end, Greed dies because he realizes that his friends are all he ever needed to be satisfied.
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Pride is interesting in that he does not seem to care that he is a Homunculus. He derives pleasure in instigating hostilities, and even though he is shown to have an interest in creating the stone, it seems simply to be because it is what Dante wants.
Although the personality he presents to his citizens is one of a benevolent, charming family-man who values human life, he actually has no respect for humans.
Pride's final moments sees him murder his ten-year-old adopted son after having unintentionally brought the Homunculus' weakness to the battle with Mustang, despite having saved it from fire and being told: "his father's life depended on it.
All in all, the mental states of the Homunculi whose characters are explored are very much centered around the fact that they are not accepted as human by one or more groups, which is probably why Greed bonds so strongly with his fellow outcasts, the chimera.
It is also worth noting that despite being the scourge of the Homunculi, Greed is probably the most psychologically stable of them all.
He knows what he is and has no desire to change. If anything, he wants to become less human, proven by his scheme to bond his spirit to an inanimate object to escape further persecution from Dante and the others.
He fully embraces his greed and lives life on his own terms, having no goals apart from hedonistic desire and true immortality.
He also dies on his own terms, at the hands of someone he respects, while at the same time giving that person what he needs—information on how to kill Homunculi and the resolve to do it—to exact his retribution against his persecutors.
As the Homunculi all retain partial identities of their past human selves, as well as their current Homunculus "selves" they all suffer from some degree of psychotic behavior.
This "hidden weakness" leads to Dante's faction almost completely imploding by the series' end, contributing greatly to her defeat.
When all is said and done, out of the seven Homunculi, only Pride and Sloth fight to the death, remaining loyal to Dante.
Greed was never controllable, while Lust eventually defected to the Elrics, driven by the onset of memories of the Ishvalan woman she once was. Wrath and Gluttony are so interdependent upon Sloth and Lust respectively that when the latter two are killed, the former two suffer a total emotional collapse, causing them to become liabilities rather than assets.
Even Envy, who appears relatively mentally stable at the time, abandons Dante and throws himself through the Gate in a desperate final attempt at exacting his revenge on Hohenheim, again a product of his past human identity militating against his new nature.
Killing Homunculi in the series can be done in a variety of different ways, but the task is still a challenge due to the difficulty in dealing with such deadly and unpredictable creatures.
Furthermore, the fact they are "mythical" creatures shrouds the means in mystery until Greed reveals all before dying himself.
Once the means are discovered, it is often necessary to take advantage of more than one of their weaknesses in order to kill them, the most important of which is the remains of the person they were meant to be, which are not always available.
Again, Wrath is not susceptible to this weakness because his remains no longer exist. He does have other weaknesses, however; he is terrified of the Gate and paralyzed by the sound of a baby's cries.
When Homunculi die, their bodies liquefy into a red ooze which quickly dissolves into the ground, leaving no trace that they ever existed.
The Homunculi are very versatile, capable beings, a fact that Dante takes every advantage of. She initially creates Gluttony in an attempt to discover a method to create the Philosopher's Stone without using alchemy.
He ends up a failure in that respect, but her experiments do seem to convince her that Homunculi can still be of use. She makes at least two more—Greed and Pride—and Envy implies to Lust that if necessary, Dante can very easily create another to serve the cause.
She also keeps her eye out for other alchemists who might resort to human transmutation in the hopes that if they do, she might reap the benefits of their folly.
Those Homunculi she does recruit are tricked into helping her with the promise that she will make them human once she obtains a stone.
Whether it is even possible to turn a Homunculus human with the stone is never clarified, but from what Envy insinuates, Dante has no intention of even trying, and may very well be planning on killing them once she has what she wants.
From behind the scenes, Dante sends her Homunculi to scour the countryside for alchemists with talent enough to create the stone.
The Homunculi spread diseases, commit assassinations, tempt the wealthy and the greedy, and use countless other means to push people to the brink of desperation.
Those who come close but fail are erased from the world along with the evidence, and rumors are mongered of the dangers of creating the stone, rumors which keep the talentless at bay but draw in the curious and the capable.
After she creates Pride, Dante maneuvers him into the position of Führer-King, and through him, initiates numerous campaigns to wreak havoc and destruction across Amestris and beyond, and to oppress the human spirit into a state of desperation and despair.
She does this hoping that those driven to extremes will create her stone, which the Homunculi will then happily collect and bring to her.
By the time the series begins, the country is slowly recovering from a civil war instigated by Dante and her underlings. The primary mission of the Homunculi at this point is to continue the relentless search for talented alchemists, which is aided by the military's new State Alchemist program, which recruits only the best and the brightest.
This gives Dante and the Homunculi the chance to add further flames to the defeated Ishvalans, who, as legend tells it, have the means to create a stone of their own.
While the transmutation itself will result in a failure in that the person intended to be revived does not return as expected, a new existence is brought about.
The result of failed Human Transmutation will be a grotesque, vaguely humanoid monstrosity retaining the genetic material, as well as some of the memory, of the resurrected.
The "failed" Homunculus generally remains in this agonizing state until it dies soon after. However, newly created Homunculi who come into contact with Red Stones—much weaker versions of the Philosopher's Stone created by condensing human souls—and consume large amounts of them have their bodies reshaped into their intended forms and become exact replicas of the entities they were meant to replace.
The English dub of the anime states that Homunculi aren't failed human transmutations, but that they are simply incomplete.
Homunculi all carry the form of human beings, albeit some of them with exaggerated features. Some of them have cat-like slits for pupils, pointed teeth, pale skin, and each are marked with an Ouroboros tattoo somewhere on their body.
Although they are shown to eat, drink and sleep, it is not necessary that they do so in order to survive; they need only the energy provided them by the red stones they have consumed.
It is likely the red "nodes" that Homunculi have across their limbs circulate this seemingly endless energy. Despite being replicate humans, however, Homunculi are still aberrations of nature created by violating the flow of the natural universe, and as such, have no souls.
This property gives them many physical dissimilarities to ensouled humans:. Homunculi in the series are depicted as amoral, sadistic, sociopathic, and harbouring superiority complexes.
They derive pleasure from witnessing and inflicting human suffering and death, and perceive themselves as better than humans—in some cases as the next step in human evolution.
Throughout the majority of the series, the Homunculi are portrayed as clearly evil characters, but toward the end of the series' run, they are each revealed to be very layered, complex individuals capable of love, grief, guilt and despair.
It seems the Homunculi's superiority complexes may also mask complementing inferiority complexes, because despite their mockery of the human race, several of them desire to become fully human.
When pressed by Edward as to why she would want to be human, Lust reveals that Homunculi feel incomplete, and that their desire to become human comes from a feeling of lacking any real identity.
Whereas Lust desires to ultimately become the person she was meant to replace, Sloth and Wrath both despise their makers for their creation, and seek to disconnect from their imposed identities and establish themselves as different from the people they were supposed to become.
Sloth is tormented by her memories as Edward and Alphonse's mother and desires to murder them to prove to herself that she is not connected to the people who made her into an abomination.
Wrath, on the other hand, merely wants to have a mother and be accepted and loved as a person instead of being cast aside as a monster.
Although he doesn't want to be human, Envy is similar to Wrath in that he feels rejected and cast aside by Hohenheim, who is both the father of the person Envy was meant to be and the alchemist who created him.
In Laboratory 5, Envy assaults Edward for saying that Homunculi were "made" instead of "born", offering evidence he may harbour resentment for his own nature.
In the end, Envy finally gets his opportunity for revenge against his maker, and even knowing that he would be transmuting himself in the process, he exacts it with a grunt of satisfaction.
It is insinuated that Envy may have been moved by Hohenheim's final apology for the events taken place over his life and his previous son's. It should also be noted that Hohenheim pushed the jaws of Envy's dragon form together to exact the death blow, and Envy did not choose to kill his "father" at that time.
Pride is interesting in that he does not seem to care that he is a Homunculus. It is possible he genuinely believes in his position. He derives pleasure in instigating hostilities, and even though he is shown to have an interest in creating the stone, it seems simply to be because it is what Dante wants.
Although the personality he presents to his citizens is one of a benevolent, charming family-man who values human life, he actually has no respect for humans.
It is also worth noting that despite being the scourge of the Homunculus, Greed is probably the most psychologically stable of them all. He knows what he is and has no desire to change.
If anything, he wants to become less human, proven by his scheme to bond his spirit to an inanimate object to escape further persecution from Dante and the others.
He fully embraces his greed and lives life on his own terms, having no goals apart from hedonistic desire and true immortality. He also dies on his own terms, at the hands of someone he respects, while at the same time giving that person what he needs—information on executing Homunculi and the resolve to do it—to exact his retribution against his persecutors.
As the Homunculi all retain partial identities of their past human selves, as well as their current Homunculus "selves" they all suffer from some degree of psychotic behaviour.
The sins of lust, gluttony, envy, sloth, wrath, pride, and greed are all present in our world today. But, like in Fullmetal Alchemist: Brotherhood , all of them can be defeated.
And Sloth was a giant tunnel digging homunculus. And most of the homunculi in the FMA have sad backstories but I do think that they know brotherhood is because they explain who father is and how he created the homunculi.
I read the manga first so when I watched Fullmetal Alchemist I was disappointed. The 13h if I remember correctly episode was hilarious. Thank you for this piece on FMA Brotherhood.
Specially since I like symbolism. It would be nice to see the character representing Lust to be either androgynous or male. The entire deadly sins thematic is a bit problematic for me and shot through with overt Christian moralizing, abstracting elements of the human condition far more complex than a singular moniker can explain.
Having an androgynous or male Lust would definitely add an interesting twist to the symbolism. Men are lustful and seductive too, oftentimes in more sinister ways than women.
I would still consider it fitting to have a female Lust, as women are historically and naturally more beautiful than men, and thus their powers of sensual allurement are greater.
On the note of Christian moralizing, something else that Arakawa does to enrich FMA is draw from many different religions and cultures.
There are Christian themes, but also Islamic, Western, and Eastern themes also. As a Catholic Christian, I appreciated the fact that the enemies were named after well-known sins.
This was one of the reasons why I was so inspired to write about this, and I hope that can at least be understood, if not appreciated.
Thank you for your thoughtful comment! I feel like whenever FMA is discussed, the topic largely hinges on differences between the animes or the existence of alchemy or the main characters.
They play a huge role in the story and were perfect reflections or oppositions of the heroes i.
When I finally read the manga two years, I was honestly in awe over how much of a genius Arakawa is in the use of alchemy and the parallels to our own world history — but the homunculi were definitely something else that just added so much more to the story, their deaths included.
Absolutely, Arakawa is a genius. I have a confession to make: I used to be rather sexist when it came to story telling; I used to believe that male writers were better than female writers.
I am happy to say that Arakawa completely changed my mind, especially since FMA is one of the greatest stories I have ever encountered.
I also liked that you focused on the Homunculi, they each have such interesting back stories and endings.
Great analysis! By far, that is the greatest compliment I have received! The post-anime depression for this anime is totally devastating.
Best one too! Pride was the most interesting homunculi in my opinion. He may not have the most unique powers but the idea of them are pretty cool.
He is a complete bad ass and he has the perfect attitude to fit is role. He is more powerful than the rest. The idea of him being shadows or something like that makes him more menacing.
He is also a kid making him creepy and we all assumed at first that he was not that really important to the story or much of anything.
Once we figured out he was a villain was surprising unlike the others where you could tell right off the bat that they were bad.
Due to the fact that he is a shadow kid makes him seem kind of creepy. This makes him seem like more of a villain after we figure it out.
Yes, I totally agree with you. Having watched the version of Fullmetal Alchemist first, I was surprised that Pride was actually Sileam. It was a huge plot twist that I really enjoyed!
Just found him a bit less interesting than the others. I just like the others more. Maybe I just have a thing for snarky characters with a heart of gold characters.
His powers are awesome, being defensive, but can also fight. Also, his relationship with Ling and the others is very well done. My list: 7. Gluttony 6.
Wrath 5. Lust 4. Pride 3. Sloth 2. Envy 1. My top is 1. Wrath just always struck me as a complete badass, what with his incredible swordplay and noble demeanor.
He certainly lives up to his title as Furor King of Amestris. I really did appreciate the clarification of the symbolism behind his death at the hands of Scar as well as the deaths of the other humunculi.
Really, the plot is amazing, deep, well built and almost every episode is important. Personally, I think you overthought the topic a bit, and saw symbolism even where there was none.
Also, as a writing tip: too many questions asked. Hmm, okay, thank you for the tip. Fantastic article Almost every character on the show is fascinating in their own way, with some quickly becoming my favorites.
The development of the plot with these characters interwove into something remarkable. Your article made for a gripping read especially considering that I love to look out and hunt for rich symbolisms in everything I see.
I really liked your organization of the post too.
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Fullmetal Alchemist Brotherhood - Hohenheim Meets The Dwarf in The FlaskHomunculus Fullmetal Alchemist - Navigationsmenü
Alle Produktinformationen Kundenfragen und Antworten Kundenrezensionen. King Bradley erscheint häufig gelassen und ruhig und scheint nie die Kontrolle zu verlieren. Die Generäle wollen so Unsterblichkeit und die Weltherrschaft erlangen.
Wacker, der bemerkenswerte Gedanke
Es ist schade, dass ich mich jetzt nicht aussprechen kann - ich beeile mich auf die Arbeit. Ich werde befreit werden - unbedingt werde ich die Meinung aussprechen.
Ich entschuldige mich, aber ich biete an, mit anderem Weg zu gehen.