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Foxcatcher ist ein US-amerikanisches Sportdrama des Regisseurs Bennett Miller aus dem Jahr Der Film ist angelehnt an den wahren Fall des. Foxcatcher () - IMDb. Selbstzerstörung · Mark Ruffalo · Channing Tatum · Filme. Foxcatcher () - IMDb - Foxcatcher () – IMDb Olympische Spiele. Die Seite bietet Cast-Angaben, technische Daten sowie weiterführende Informationen zum Film. imdb: Foxcatcher in der Kategorie Foxcatcher. Bild zum Film: Foxcatcher, Quelle: rbb/WDR/Koch Media kontaktiert, der ihn auf sein Anwesen in Pennsylvania einlädt, wo er die Foxcatcher Farm, ein Trainingszentrum für Ringer, aufgebaut hat. surf2go.eu - Foxcatcher. Saved from surf2go.eu Foxcatcher () - IMDb and brothers Mark Schultz and Dave Schultz join "Team Foxcatcher", led by eccentric multi-millionaire John. Foxcatcher () - Channing Tatum Männliche Prominente, Amerikanische Schauspieler, Sexy Typen,. Gemerkt von surf2go.eu Foxcatcher () - IMDb. Foxcatcher: Una storia americana. IMDb 7,02 Std. 9 Min+. Ispirato a fatti realmente accaduti, il film racconta la fosca e affascinante storia.
Sign In. Edit Foxcatcher Jump to: Summaries 4 Synopsis 1. The synopsis below may give away important plot points.
Edit page. Movies - historical. Share this page:. Clear your history. Jake Herbert Mark's Opponent at Trials. Donald Modrick Front Gate Guard.
Gabrielle Burton School Secretary. Kevin Cooke Photographer. Richard E. Chapla Jr. Broiler Hut Cashier.
Bill Ehrin Broiler Hut Patron. Roger Callard Helicopter Pilot. Dan Anders General. Barry Vlanich D. Sam Brehm Hank Church. Joe Russo Olympic Trials Referee.
Ken Williams Coach Ken. Gene Mills Worlds Referee. John C. Baxter Worlds Announcer. Rick Steigerwald Wexler Trainer.
Eberley Adams Spectator uncredited. Nicholas Augusta Wrestler uncredited. Jason Baker Spectator uncredited. Greg Black Dinner Guest uncredited.
Matt Black Spectator uncredited. Jeff Blatnick Ufc commentator uncredited. Kim Bordwine Fight Fan uncredited. Robert Braund Ballroom extra uncredited.
Jake Brinskele Wrestler uncredited. Gregory Bromfield Olympics Crowd Goer uncredited. Rick Burk Helicopter officer uncredited.
Serina Burkhart Olympic Wrestling Judge uncredited. Patrick Cannon Collegiate Wrestler uncredited. Norman Cardaro Wrestling Fan uncredited.
Anthony Cherby Spectator uncredited. Mitch Cleaver Spectator uncredited. Lou Consolo Fight manager uncredited. Susan Feldbusch Gala Guest uncredited.
Karley Ferlic Family Friend uncredited. Wrestling Judge uncredited. Eric Frank Fight Fan uncredited. Patty Fromm Gala Guest uncredited.
Krista Graham Candy uncredited. Vito Grassi Trainer uncredited. Brian Green Referee uncredited. Ryan Gunnarson USA wrestler uncredited.
Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.
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Alternate Versions. Rate This. Documentary filmmaker Jon Greenhalgh examines the life of Dave Schultz , a professional wrestler who was part of 'Team Foxcatcher', funded by multi-millionaire John du Pont.
Director: Jon Greenhalgh. Added to Watchlist.
Max Frye and Dan Futterman's script is quiet Soul Taker doesn't have a lot of big juicy moments for its actors to lean on, so the Film Mit Vielen Sexszenen that Carell is totally haunting and captivating in this role says a lot. Both of them were outstanding and deserved every Rock Für Deutschland they got. Si interpretarea a fost de exceptie, pentru toti cei trei actori care au untrat in pielea sportivilor, Steve Carell a fost o surpriza uriasa Trapped in Du Pont's majestic but suffocating world, Mark comes to see Uwe Ochsenknecht benefactor as an egotistical, arrogant, and selfish megalomaniac and grows increasingly contemptuous. Mark contacts his older brother Dave Mark Ruffalowho has settled down with a wife and kids and, while he doesn't want to Weihnachtsmann Co Kg everything to join a wrestling team, supports his brother, for he sees that Bachelor 2019 Sendetermine Imdb Foxcatcher life has become a drudgery of existing rather than living. AlexGo0d pe 09 Octombrie I can't avoid thinking that if the Star Trek Nemesis in this Der Hobbit Extended Edition Stream, and men in general, had been more articulate about their feelings, a tragedy could have been avoided, but that is irrelevant. Why then does Ted 2 Ganzer Film Deutsch Schultz, ensconced in a luxurious guest house with a state-of-the-art training facility, feel so uneasy?
In den deutschen Kinos lief der Film am 5. Der Film erhielt überwiegend gute bis sehr gute Kritiken, wobei insbesondere die schauspielerischen Leistungen von Steve Carell, Channing Tatum und Mark Ruffalo hervorgehoben wurden. Die Krönung eines Jahres, das Minority Report Imdb dem Regiepreis in Cannes begonnen und Imdb Foxcatcher Topplatzierungen in sämtlichen Kritikerbestenlisten geendet hatte. Max FryeDan Futterman. Zwischen dem Millionär und dem Ringer entwickelt sich zuerst eine Art Freundschaft, bei der sich du Pont in der Rolle des Mentors sieht. Ihre Daten werden von uns nicht an Dritte weitergegeben oder Dritten überlassen. Steve Carell : John E. Mit du Pont entzweit sich Mark hingegen völlig. Die Gebrüder Schultz sind beide erfolgreiche Ringer, Richard Harris bereits bei den Olympischen Spielen Goldmedaillen gewinnen konnten. Imdb Foxcatcher Sinopsis Foxcatcher Video
Foxcatcher Official Teaser Trailer #2 (2014) - Channing Tatum Drama HDImdb Foxcatcher Foxcatcher Video
Team Foxcatcher - Official Trailer - Netflix [HD] min. IMDB-Rating: 7/ Alterskategorie: 14/ Kinostart CH-D: Kinostart CH-F: Kinostart CH-I: DVD/BD: Foxcatcher () - Channing Tatum Amerikanische Schauspieler, Süße Jungs, Stars Und Sternchen. Gemerkt von surf2go.eu Foxcatcher () - IMDb. Team Foxcatcher auf IMDB. Score: 7,3 des Documentary filmmaker Jon Greenhalgh examines the life of Dave Schultz, a professional wrestler who was part.Imdb Foxcatcher Menú de navegación Video
Foxcatcher Official Trailer #1 (2014) - Channing Tatum, Steve Carell Drama HDImdb Foxcatcher Navigationsmenü
Es The Warriors zu Spannungen zwischen beiden, als der Ringer sich zunehmend für das Ego des Mäzens ausgenutzt sieht. Du Pont fühlt sich von David Imdb Foxcatcher seiner Führungsrolle bedroht und vereinsamt nach dem Tod seiner Cinestar Ludwigshafen Programm zusehends. Mit der Unterstützung seines Bruders kann er sich doch noch qualifizieren. Du Pont bittet ihn, Mitglied des Teams Foxcatcher zu werden und für die kommenden Weltmeisterschaften und die nächsten Olympischen Spiele zu trainieren. Deutscher Titel. Sein Bruder lebt weiterhin auf dem Anwesen der du Ponts und trainiert das Team. Bei den Spielen in Seoul kann er jedoch keinen Sieg erringen. Spotlight Online Stream Deutsch akzeptiert das Angebot allein. Sie haben jederzeit die Möglichkeit diesen Service abzubestellen, mit der Abmeldung des Services werden Ihre Daten gelöscht. In Wirklichkeit hatte du Pont lange Zeit selbst eine sportliche Karriere zunächst als Schwimmerspäter im Modernen Fünfkampf angestrebt. Sein Bruder lebt weiterhin auf dem Anwesen Take Me Out 4.3.17 du Ponts und trainiert das Team. Sein Bruder verfolgt dessen Entwicklung mit Sorge. Mark Schultz unterstützte die Filmemacher während der Entstehung des Films. Patrick Seyboth von epd Film vergab 3 von 5 Sternen. Er will sich seinen Erfolg allein erarbeiten. Namensräume Artikel Diskussion. Hubert Ohne Staller Besetzung Simonsen.Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.
Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.
User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Documentary filmmaker Jon Greenhalgh examines the life of Dave Schultz , a professional wrestler who was part of 'Team Foxcatcher', funded by multi-millionaire John du Pont.
Director: Jon Greenhalgh. Added to Watchlist. November's Top Streaming Picks. Watch with Ellen. Point of View. Share this Rating Title: Team Foxcatcher 7.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Credited cast: Dan Chaid Self John du Pont On the gray-skied farm, we will get to know three interesting men, some of which, we'll never truly understand.
When you see Steve Carell in a movie, you expect him to be the funniest thing in a movie. When you see Channing Tatum, you expect him to be buff, and be the hot hero of the movie.
When you see Mark Ruffalo, you expect to see comedy-drama movies, and he's just a side character.
With Foxcatcher, you see none of those. Instead, you see a very ominous picture. The musical score is scarcely used, which makes it even better.
The best part of the picture, no doubt, is Steve Carell as John E. Holy Hell! He was frightening just to look at.
And him talking without yelling is actually what sells it. Channing Tatum was absolutely phenomenal as Mark Schultz.
Not only did he nail the role perfectly, he took it to the next level, and actually managed to even stay in character even when he injured himself with the mirror.
Mark Ruffalo was rather quiet as Dave Schultz, but even then, it's necessary for the character development. Bennett Miller's Foxcatcher is an underrated gem that people overlooked.
With a sports movie, you get to know the players of the team, you have them lose first, but along the way they win the games, and eventually come closer as a team and family.
With Foxcatcher, none of that happens. Instead, you get a chronological series of events, and Steve Carell being rather reclusive toward his team, and his mother, played by Vanessa Redgrave.
It doesn't have you watching, and enjoying it. It has you watching a reality with actors, who are usually cast in stereotypical roles, breaking that streak, and having the people they're playing come out instead of them.
This movie easily made it to my top 20 list. Directed by Bennett Miller, Foxcatcher taps into the psychology behind Du Pont, examining his psyche in the most disturbing of fashions.
Steve Carrel delivers a performance that many will find hard to swallow. He is dry, he is awkward, and he is completely insane. To keep it simple, Steve Carrel is absolutely terrific and truly shows his range as an actor.
It is an amazing performance that is bound for Oscar glory. Tatum completely drowns into his character, leading him to turn in a vicious, unapologetic performance that is so perfectly executed that you will soon forget that this is Channing Tatum.
When he is on screen, he is Mark Schultz. It is the best performance that Tatum has given in his career and stands to grab a possible Best Suppoting Actor nod at this year's Oscars.
Dave serves as this mediator in between Mark and Du Pont especially when their relationship starts becoming more and more intense and violent.
The rest of the cast featuring Vannessa Redgrave and Anthony Michael Hall also turn in very sound and great performances as well. As far as acting is concerned, Foxcatcher is a hard film to beat.
Every actor is on top of their game here and it really shows how good of a director Bennet Miller is.
He takes a seemingly dry script and turns it into an emotional roller-coaster by way of his actors. One scene in particular haunted me involving a simple glare from Tatum's Mark Schultz as he peddles faster and harder upon seeing Du Pont.
That scene on paper isn't that interesting but with Miller's uncanny ability to make even the simplest scenes intricate and layered, it works and remains one of the more memorable scenes from the film.
The other highlight from this film has to be the cinematography. Everything is filmed with a slight tint of dread and gray, it creates the mood immediately and balances the story perfectly.
Overall, Foxcatcher is a great character study featuring top notch performances that push this film into the top ten of the year easily.
Feeling the discomfort from a long running-time is a movie pet peeve of mine. However, my experience of "Foxcatcher" was largely different from most everyone else who has discussed the film.
I did not want to take my eyes off the screen. The direction from Bennett Miller felt in tune with the story and the characters in a mellow way.
He built scenes at a gradual pace, but each scene has a path and reach a distinctive point of impact.
Because "Foxcatcher" is so muted, it haunts with the uneasy themes being explored in the screenplay and a deliberate reveal of information in the directing.
The ominous representations of the real-life people by the actors contribute substantially to the outcome of "Foxcatcher".
Steve Carell amazed me in his portrayal of John du Pont. It's not the most expressive work of an actor this year, but it's certainly one of the most potent.
The comedic actor is transformative and in more ways than the physical ones prompted by the make-up prosthetics, which visibly add to the creation of the mysterious figure.
Carell's eyes cut deep into the viewer and sting like a sharp razor blade impaling the warmth of your flesh. But the closer the end of the film nears, du Pont begins to consume the story.
Carell's performance feels extraordinarily subtle as your start the film, but as "Foxcatcher" endangers the viewer deeper into du Pont's mind, the severity of Carell's performance begins permeate throughout the picture.
There's an eerie presence he creates, a torment that does not internally leave you after watching it. Not to suggest that du Pont is evil, as understood in Miller's direction, there's an nuance of tragedy that looms over the man that makes his story such a grave one to experience.
Mark Ruffalo's Dave Schultz becomes a driving figure in the last act, along with Carell, as Tatum's importance begins to lessen. The simple, small-town guy with a beacon of knowledge realized by Ruffalo is impressive.
Tatum also gives his most accomplished performance to date. Bennett Miller steps back tonally to his work in somber "Capote" after making the lighter and forgettable "Moneyball" in Some may say "Foxatcher" contains too few and far between events in the narrative, but I think Miller creates a drama palpable in the air of every scene, and we, the audience, are parked in a burning tension for two hours.
It will disturb you with its bleak vegetation and seduce your flames of darkness. Fox hunting is a bloody sport and in the case of Foxcatcher, so is wrestling.
You can hear the thud and almost feel the pain as heavily muscled male bodies pound each other. It's almost like a ritual.
John DuPont, billionaire and unbalanced eccentric, offers a talented young wrestler the kind of sponsorship that one can only dream of.
Why then does Mark Schultz, ensconced in a luxurious guest house with a state-of-the-art training facility, feel so uneasy? DuPont, played by Steve Carell as you've never seen him before, has some disquieting qualities.
I can't avoid thinking that if the characters in this movie, and men in general, had been more articulate about their feelings, a tragedy could have been avoided, but that is irrelevant.
The ending of this movie, based on a true story, was in the headlines some years back. If you don't remember what happened, I won't spoil it for you.
JayShermanStinksYoooooo 9 November My first night at the Stockholm Film Festival turned out really great thanks to Foxcatcher.
A movie I didn't expect much from, but it was in fact one of the best movies of Foxcatcher is a movie that doesn't have that much action and will surely disappoint those who loves wrestling and wants to see fights.
This is not a movie about the good side of the sport, it's about the bad one we don't get to see when Hulk Mania and The Rock performs nowadays.
The film is based upon a true story. Mark Schultz is an Olympic wrestler. His relationship with his sponsor, John du Pont and his older brother leads to very unlikely circumstances between both.
John du Pont turns out to be a bit different than the man he first seemed like. What I first wondered when I read about the film was, "how could they pick Channing Tatum for such a dramatic role?
Isn't he that guy who just shows off his abs so the girls can look at something? He is superb as Mark Schultz, I couldn't imagine anyone else playing him after seeing this film.
And this is partly what makes the film very watchable and good. Steve Carell who usually stars in sex comedies also did an amazing job as John du Pont.
I could barely recognize him at first, and forgot that it was him 10 minutes after he first appeared on the screen. In the end, I also forgot what he looks like in real life.
Great job on the make up there! The good performances is definitely what I enjoyed the most. I'm not into wrestling, and Foxcatcher didn't really make me interested.
It's a very deterrent example of how some Olympic athletes are trained and treated when they're not on TV. The movie will be out in theaters later this month, and I suggest you to go watch it.
If you're not a fan of wrestling, that's even better. I don't like the sport but loved this movie. However, pick your theater carefully.
Sadly, some people in front of me waited to see Channing Tatum naked during the beginning. They were just annoying, but quiet when they realized that they weren't watching a teen comedy.
Which was, around thirty minutes into the film. So I didn't really mind! The movie is a bit over two hours long It's been a long wait.
After a year and a half of hype, Foxcatcher is finally among us. This isn't really the type of film that earns such excitement.
It's a cold, hard, slow burn, but one that's meticulously crafted. It's a film easier to appreciate than to enjoy. It tells the true story of the relationship between Olympic gold medalist Mark Schultz, played by Channing Tatum, his brother and also gold medalist David, played by Mark Ruffalo, and a wealthy entrepreneur investing in their future to become World Champions, Jan Du Pont, played by Steve Carell.
For a story of such tragedy and exposure to the world at large, it's surprising that we're only hearing of it now, but the film's weak spots do make it clear why director Bennett Miller needed an extra year to work on it, having been initially anticipated as a release.
It's clear from the style of Capote and Moneyball that Miller is concerned with capturing raw authenticity with a voyeuristic and grimly saturated eye on the characters.
It gives Tatum and Carell some of the best artistic environments of their careers for them to play around in.
Tatum in particular is impressive unlike what we've seen him in before. In his previous films he's seemed so disengaged but here he has tunnel vision focus, constantly fighting imaginary foes.
We're often given shots of him just staring out windows, but he makes them rich with subtext, with both his fulfillment of his ambitions and tedium of his stripped down life.
It's a physical role with great sensitivity, showing his selfishness and self-deprecating side. Although there's a strong bond between the brothers especially with their sport, Ruffalo is the antithesis of Tatum.
Where Tatum still seems to struggle when engaging with people, however appropriate for the character, it all comes natural for Ruffalo.
It's a very subdued but loose performance. Internalizing a lot of different emotions, frustrations and conflicts that Tatum and Carell have but with a whole heap of charm.
He's comfortable in his own skin compared to them. I missed him when he wasn't on screen, but it's unfortunate that during his portion of the film in the last third, events become too jumbled.
Especially in its final twenty minutes, which does unfortunately drag the film down for me that it doesn't land on two feet. It does find key moments bubbling under its psychological tension, and you often have to be very patient for them to reveal themselves.
Carell however was a slight disappointment. The most hyped up aspect of the film since we first got excited 18 months ago, it's certainly transformative but the character is too sparse and distant.
Granted, this is part of Du Pont, he's a man who doesn't make have a presence when he walks into a room so he has to compensate with money and weapons.
He's good, but suffers due to this nature. His character blossoms under Miller's direction and the makeup his nose looking like the 'eagle' he wants himself nicknamed after , but his strength in his prolonged sinister stares.
The film has some very interesting themes to say with him about the American dream and patriotism, ironic as his last name is evidently foreign.
It's quietly powerful. Carell is best as a fascinating contradictory poetic figure, rather than a performance.
It's a great film thanks to Miller's methodical approach in setting up the triangle of characters, and the anguish of their motivations.
It is cripplingly restrained in every facet, which is good to express the repression that the characters go through; the joylessness of Mark's success, how David's family weigh him down, the way people underestimate Du Pont, and then the ultimate dissatisfaction of the glory they chase.
There's a lot to delight from its allegories and the way the relationships develop. However, the way it puts the viewer at an unsettling distance and how dry and somber it is hints that it might not do too well at winning awards, though certainly show up on ballots.
I'm sensing that we may find a Carell snub in a stacked category, but Ruffalo is assured. Miller may have to fight for that 5th spot in Director but I wouldn't be surprised to see him there.
I'm not eager to watch Foxcatcher again so soon but it's a film that burrows deeply in fraught places. The screenplay was written by E.
Max Frye and Dan Futterman. The film has received acclaim from critics, with many praising the performances of Steve Carell, Channing Tatum, and Mark Ruffalo.
The site's critical consensus reads, "A chilling true crime drama, Foxcatcher offers Steve Carell, Mark Ruffalo and Channing Tatum a chance to shine - and all three rise to the challenge".
Metacritic gives the film a score of 91 out of , based on 11 critics, indicating "universal acclaim". Donald Clarke of The Irish Times praised Bennett Miller's direction, saying that "he Miller hits his stride with a stunning portrayal of psychopathy and moral decadence in the unlikely environment of Olympic wrestling.
On the other hand, Budd Wilkins of Slant Magazine gave the film a negative review and said that the film "offers us next to nothing of utility or complexity about du Pont's pathology.
I'm not surprised this terrific decent movie has won 2 International Awards. See It With Your Kids!. There aren't any bad words or sex, just some violence!.
StevePulaski 27 December Bennett Miller's "Foxcatcher" opens along the lines of a mumblecore film, with little dialog and brief sequences establishing the ho-hum routine of somebody we would think would live a more intriguing and layered life.
For the film's first fifteen minutes, we follow the routine of Mark Schultz Channing Tatum , an Olympic gold-medalist in wrestling who is now wading in the water for something to either come to him or him to find something to go to.
These are a profound fifteen minutes, low-key and substantive in the regard that even somebody we fable and could possibly model ourselves after still goes through the checklist of ordinary things in his daily life: eating alone at a small, fold-up table in his apartment, eating fast food in his car, practicing at your average wrestling gym, and so forth.
During these fifteen minutes, dialog is rare and we are captivated by the ambiance of Mark's surroundings and the bleak way Miller and cinematographer Greig Fraser cinematographer for "Zero Dark Thirty" capture his environment.
Mark travels to du Pont's lavish home, where he informs him of his patriotism and his love for the sport of wrestling, and offers to coach Mark for his wrestling team known as "Foxcatcher," where they would travel and compete in wrestling tournaments all around the world.
Mark contacts his older brother Dave Mark Ruffalo , who has settled down with a wife and kids and, while he doesn't want to drop everything to join a wrestling team, supports his brother, for he sees that his brother's life has become a drudgery of existing rather than living.
Mark accepts du Pont's offer and travels out to work under his grueling, yet motivating practices to hopefully become "the greatest wrestler in the world," a title that Mark has long-desired.
John du Pont is played by Steve Carell in one of his most fascinating and bizarre roles to date. Carell is buried under a plethora of facial prosthetics, giving his face a fatter, aged look to it, with gray, scaley-skin, thinning hair, little to no eyebrows, and a large, protruding nose.
While, at first, you're distracted by Carell's getup, he overcomes one of the toughest hurdles in his acting career, which is getting you to look past the heavy use of makeup and manipulation to look at the character instead.
Carell has always been an intriguing character actor to watch, taking comedy and drama roles, weaving in and out of them beautifully, like a younger Robin Williams.
Here, he gives a haunting and unpredictable performance of a character that never seems fully relaxed and never quite stable.
Tatum and Ruffalo both shine in their respective roles as well, especially Tatum, who finally has found a role that allows him to show off his brawn as well as his ability to act and maintain an on-screen composure.
Tatum has been one of my favorite leading males for years, and anytime somebody criticizes him of being an actor who's sole purpose is eye-candy needs to watch this film and eat their words.
Tatum gives a visceral performance here, and one almost as haunting as Carell's, but in a different way. Tatum's performance is rooted more in ritualistic behaviors, including displays of uncontrollable anger when certain things do not work out, like when he's considerably overweight for a particular match.
Frequently, Tatum's character engages in self-mutilation by punching and thrusting himself into a mirror, which turns out to be much more frightening then it sounds.
Its only real misstep is how little we know about du Pont's deteriorating mental state at the end, and because of that, the ending comes out of nowhere, as if Miller and writers E.
Max Frye and Dan Futterman didn't offer enough development or foreshadowing as to something like what occurred was about to take place.
Furthermore, du Pont's character is sort of left as an enigma throughout the whole film, which may have been what he was like in real life to the brothers Schultz, but it becomes a bit of a contradiction, as the film tries to humanize the Schultz's yet leave du Pont cast in shadow.
However, this small feature still doesn't obscure the fact that "Foxcatcher" is one of the strongest adult dramas of the year, and has a collection of some of the year's finest performances all in one film.
This film fires on all pistons. Skillfully directed with an economically written screenplay it is made real before your eyes by a cast of unparalleled performances.
This film is as near perfection as you can get. The screenplay is brilliant beyond words because it is beyond words.
In the case of this film, the economy of words, and the power of silence, speaks volumes. And that silence, in the hands of a director and a cast like this, roils like volcanic magma.
He wisely piled on about a pound of makeup and prosthetics to the point where he is unrecognizable as the lovable goofball from "40 Year Old Virgin".
He then delivers one of the creepiest and most menacing performances ever recorded on film, and it would never have been as effective if he had been in the clown suit he's been wearing for the last 15 years.
Vanessa Redgrave as Jean, with only about three minutes of screen time, manages to buttress her son's weirdness with her own.
They are each the byproducts of too much money, isolation, and total disconnection from consequences. They dislike one another and they dislike one another's obsessions: hers, expensive horses, his, male Olympic wrestlers.
The estate they share has a world-class stable of Thoroughbreds presided over by Jean, and a world-class training center for wrestling presided over by du Pont.
It is from these two fortresses that they war with one another. They are each, the only people in their respective lives, who spends any time with them that isn't paid to do so.
And it is into to this toxic tar pit that the Schultz brothers are lured. In , the Schultz brothers are Olympic gold medalists in wrestling.
Post Olympic glory, they are living a very modest, if not meager, life training in a run down gym for the Seoul games. The film opens with the two in a sparring practice with one another.
Their moves have been studied and repeated a thousand times before and, but for a mostly disregarded bloody nose, rudimentary. This is their war, their sibling rivalry, but tamed by rules.
Nonetheless, it is a conflict that reaches beyond the boundaries of their sport. Out of nowhere this daily grind is interrupted by mulit-millionaire wrestling "enthusiast" John du Pont.
The trade off is to acknowledge him as his coach. Du Pont, outfitted in coaching attire, walks imperiously around the gym, nodding and barking orders at his "stable" of wrestlers, without a clue to what he is doing.
He knows nothing about wrestling but is well practiced at grooming those around him with money and access to his privilege.
Over time, though, Mark becomes unmanageable and equally uncomfortable with du Pont's demands which are only vaguely alluded to.
Du Pont then purchases the previously unaffordable David Schultz to straighten out Mark. It is a deal with the devil.
The tension between du Pont, Dave, and the younger brother Mark, who has Olympic weight on his shoulders, becomes unsustainable as the egos, dysfunction, and expectations, begin devouring the possibilities.
The results will leave no winners on or off the wrestling mat. Art Director, Brad Ricker, has washed the imagery of this film in grey; the color of decay, dust, and inertia.
The pace of the film is deliberately - not fast. The silence, so skillfully directed and acted, is deafening. Carell, Ruffalo, Redgrave, and Channing give Oscar worthy performances.
The mixture of money, glory, dysfunction, ego, and the Olympic ideal, all come together here to create a compelling and disturbing picture of real life events.
The snowball affect of one decision, leading to another, and another, until - well, bang, is unfurled with foreboding and deliberateness.
This is a film that you can feel. It's not a good feeling, and you feel as though you are there. Not being nominated for Best Picture is unbelievable.
This film will suffer the curse of being a great film about a bad thing. But it is a great film and well worth seeing. They'll get my ticket money twice.
Forrest Gump and his bearded brother, Quasimodo, both won wrestling gold in the 84 Olympics. Their relationship is somewhat strained, as Forrest feels second best.
Much homo-erotic bonding, drinking and drug use later, Mr Burns loses his marbles, humiliates Forrest who is now addicted to booze and cocaine , and instead brings in Quasimodo as assistant coach, reducing Forrest to wrestler status.
Forrest cracks under the pressure, and sucks at the 88 Olympics. Mr Burns grows envious of Quasimodo's coaching prowess and success, as well as his efforts to protect Forrest, regardless of poor performance.
A shame that he had to be portrayed in a mentally challenged, quasi-autistic fashion, when the actual Mark Schulz is in fact a personable guy that had a 3.
Mark Ruffalo is Dave Schulz, aka Quasimodo - having packed on a few pounds of muscle and managing to look exactly like David Cross, our tragic hero is always hunched over and bow-legged, in a morning-after-Brokeback-Mountain kind of way.
And finally, funny man Steve Carrell His over-accentuated giant nose sadly changes size and shape several times throughout the film. Everyone else is just a face - added like an afterthought, with no real interactions or discussions with the main characters.
It's got the whole "Faustian retelling, filled with belated guilted patriotism for a fallen American sports champion" vibe about it - throw in some men grappling, oddly shot scenes, men hugging, incredibly slow dialog, men slapping each other's backs and shoulders and a score filled with loads of melancholic piano during dramatic shots, and it's easy to see how it was so loved by the Cannes crowd The most entertaining bit during the entire 2-hour ordeal, was having a chuckle at the snoring of the guy sitting behind me.
I went in expecting an epic sports drama of Warrior proportions, and left depressed, wondering where it all went wrong. Avoid this film like the plague.
Bennett Miller's newest biopic, Foxcatcher, creates quite a disturbing picture for one of America's wealthiest and most powerful families. The film is based on the autobiography of Olympic Wrestling Champion Mark Schultz where he details his training leading up to the Olympics.
John Du Pont decides he wants to coach the men's Olympic Wrestling team. What are his qualifications you are asking yourself in the meantime?
He has no qualifications. He simply is a rich schizophrenic man who lives at home with his mother and has a very strange affection toward men's wrestling and especially Mark Schultz.
The film provides a dark tone and setting for the entirety of the film offering no alternative. The story is dark and Miller makes sure you know that.
The film is based on real events so it is not a spoiler to tell you that Du Pont's schizophrenia leads to a murder resulting him in jail where he resided until his death in His obsession with Mark and his brother Dave Schultz, another Olympic gold medalist, becomes the center of the plot in this spine tingling tale.
Steve Carell is going to get an Oscar nomination for this. He has finally proved to audiences that he can undertake and perfect dramatic acting.
There is not one specific scene in the film that showcases this talent rather his performance as a whole. He is John Du Pont. Next, he masterfully had to act like Du Pont.
His struggle to prove to his mother he can do something and his sickening obsession with Mark and Dave give us that eerie feeling he is up to no good.
Steve Carell freaked me out in this film. If it were up to me, I would absolutely give him a nomination and probably the Oscar. Channing Tatum gives the biggest and best breakthrough performance I have ever seen.
This role is not like any others for Tatum. He plays Mark Schultz, the younger of the two brothers. Tatum perfects Schultz's nervous habits allowing the audience to see the insecurity in Schultz's mind.
He is a loner, seemingly sexually confused, and very much insecure about his own wrestling ability despite being an Olympic Champion.
Channing Tatum is magnificent. I pray he receives an Oscar nomination as well. It is so refreshing to see actors who have never really branched out before finally show us what they got.
Tatum branched out with Foxcatcher and he showed us he has what it takes to be a serious actor and potential Oscar nominee in the future.
Foxcatcher is a very well made film and is created quite tastefully. There are several scenes that allude to Du Pont's homosexuality with his complete infatuation with Mark towards the beginning.
It even implies Mark allowed this to evolve into something. Whatever it is, Miller does an excellent job conveying the creepiness of it all. His previous filmography includes Capote and Moneyball Obviously Miller enjoys creating stories centered on real people and events.
This film is not lighthearted and happy. It is dark and it is mysterious. Miller keeps us in a sort of shrouded mist throughout the film.
It is very ambiguous at times but this ambiguity does not inhibit the film at all. This was one of the best films I saw at Cannes this year and I believe it's going to rack up a lot of Oscar nominations this awards season.
I seriously don't understand the positive reviews for this movie.
Film im rbb Tv Duell Niedersachsen Polizeiruf Leuchtstoff Videos. Mark Schultz unterstützte die Filmemacher während der Entstehung des Films. Rob Simonsen. Die Krönung eines Jahres, das mit dem Regiepreis in Cannes begonnen und mit Topplatzierungen in sämtlichen Kritikerbestenlisten geendet hatte. Du Pont möchte auch dessen Bruder David in Sand Castle Team holen. Du Pont möchte auch dessen Bruder David in sein Team holen. Steve Carell : John E. But, nothing about it emotionally moved me or made me Schmidteinander too much. This was one of the best films I saw at Cannes this year and Silverado Film believe it's going to rack up a lot of Oscar nominations this awards season. Runtime: min. Alternate Versions. Michael Epp Reviews. For those unaware of what the story is about like I wasthe film mostly revolves around Mark and David Schultz, two Olympic gold medal-winning Shera who become involved with eccentric millionaire billionaire?
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